Over time, the word “Auntie” has evolved from term used to describe a biological relative to a powerful representation of cultural identity: a Black woman with a presence, that’s full of wisdom, and knows how to have fun. While initially a term of endearment referencing age and maturity, Black culture in the age of Gen Z has redefined the word “auntie” as a badge of honor. The term isn’t about age, but rather about influence, realness, and taking up space authentically.

From the women in our family to political aunties like Maxine Waters, in the world of viral social media, “auntie behavior” or “aunties” can be witnessed at social and sporting events — on full display in all of their “aura,” as the kids say.

At this week’s BNP Paribas Open, affectionately known as Tennis Paradise, the aunties were present, taking in the tennis action, building community together, and enjoying the softness of a sport that has often excluded our identity and experience.

Whether it be hopping from stadium to stadium, watching the players practice, or enjoying a match together on the big screen while sitting on the pristine grassy lawn, the BNP is where the aunties are living their best life, enjoying every serve while they serve looks, energy, and joy.

At this weekend’s BNP in Indian Wells, I witnessed this first hand and caught up with certified aunties, on how auntie culture is bringing a sense of community to Black women in sport.

Audrey Owens, an avid tennis fan who resides in Inglewood, CA, while attending the tournament, shared what it means to have the aunties so visible at BNP Paribas Open: “It’s important to be represented in the athletic realm to inspire and encourage Black girls to participate in this historically white space,” Owens told PS.

In recent years, tennis has seen an explosion in Black female players, which has led to aunties like myself wanting to come out and support. At this year’s BNP, there were several Black women in the draw: US Open Champion and No. 3 ranked, Coco Gauff; 4-time Grand Slam Champion Naomi Osaka; 2-time Grand Slam Doubles Champion Taylor Townsend; and newcomers Alycia Parks (who was featured on Stadium 1 this year), Hailey Baptiste, Robin Montgomery, Clervie Ngounoue, and Whitney Osuigwe.

Erika Bond, founder of All-Love Racquet Club emphasizes the influence these Black women athletes and their predecessors have had on our fandom over the years. “Black women have always had a presence in tennis, but now we’re seeing more of us actively taking up space and connecting through the sport. Serena and Venus didn’t just inspire a generation of players — they inspired a generation of fans who see tennis as a place where we belong,” Bond said. “Social media has also helped bridge the gap, making it easier to find like-minded people who love the game and want to experience it in a way that reflects our culture. At the same time, the tennis world still has barriers when it comes to real inclusivity. While the fan base is evolving, the industry — sponsorships, media coverage, leadership — still skews heavily white. That’s why so many of us rally around Black players; we know firsthand how hard it is to thrive in a space that wasn’t built with us in mind.”

Bond’s All-Love Racquet Club seeks to not only diversify tennis culture, but bring an authentic experience to the courts through community, music, food vendors, and an overall welcoming atmosphere. Most recently, her club hosted “The Cookout” event for Black History Month, sponsored by the United States Tennis Association Southern California, held on the legendary Los Angeles courts where Venus and Serena Williams played as kids. “All-Love was built for everyone who has ever felt like there wasn’t a place for them in tennis,” Bond said. She hopes that by giving Black women a space like All-Love to find respite and representation, that bigger forums like BNP Paribas won’t feel so isolating.

Owens also notes that the importance of “showing up” for the athletes that look like us. “Our attendance in great numbers demonstrates that these athletes can draw large crowds and are worthy of being showcased,” she said. Bond shares a similar sentiment, adding that there’s a positive trickle-down effect: “When you see more Black women excelling in tennis, it naturally brings more of us into the sport, whether as fans, players, or industry professionals.”

That said, representation alone isn’t enough. There are still real challenges when it comes to access, sponsorship, and overall visibility beyond the handful of players we see on TV. “The tennis establishment still favors a particular image when it comes to marketing and branding, and that doesn’t always reflect the diversity of the people who actually love this sport,” Bond said. “That’s why so many Black fans gravitate toward the Black players coming up now — we know they’re not just competing on the court, they’re pushing against a system that still has limitations.”

Over the last year, I’ve noticed a marked difference in more Black women in attendance at BNP, and it’s been so refreshing to see — especially in light of the historic discrimination within the tournament (think: Serena Williams’ disturbing racial mistreatment by the fans in 2001, which led to her 14-year boycott of the tournament. and then a triumphant return in 2015). Perhaps it’s because of these past experiences at BNP that now Indian Wells feels more of a welcoming space for Black women. “I love seeing so many of us here to enjoy the high-end athletic experience, from the DJ spinning more popular and soulful music to the inclusion of the Black-owned, Los Angeles-based Post & Beam restaurant featured along the Tennis Garden’s tented Restaurant Row,” Owens said. Intentional choices, such as food vendors send a message of belonging that I hope remains for years to come.

Aside from the tennis action and entertainment, what’s even more fun is just seeing all the other aunties come together. Some may not even know each other, but we leave as best friends; some get together and make it a yearly event. Regardless of how or why, the aunties are enjoying their time together, expanding the notion of what a tennis fan should look like — and, more so, how a tennis fan should take up space. At a time when there are so many attacks on Black women, from the policing of our hair in schools or the workplace to combatting the angry Black woman stereotype, it’s refreshing to see the softness of Black women come alive at BNP. “We’re proving that tennis doesn’t have to fit into a narrow box, and that the future of the sport should reflect all of the people who love it,” Bond said.

From a nod as we pass each other on the grounds to the high fives when Coco Gauff delivers a precise shot on the court, the shared understanding and collective celebration for each other makes it all worth it. Black women, we see you thriving on and off the court. As Owens sums up the experience: “BNP is my favorite because for a relatively short 2-hour drive to the desert, I can see all of my favorite tennis stars in-person and up close, as well be with all of my sistahs, us aunties are here.”

I couldn’t have said it better myself. Not only are the aunties here, but we’re here to stay. And every time we show up and show out in the tennis space, we prove that it’s more than a sport. “It can be a cultural moment, a celebration, a place to build real connections — and for us there’s a deep sense of connection. It’s a reminder that even in spaces where we’re not the majority, we bring community with us,” Bond said.

Ralinda Watts is an author, diversity expert, consultant, practitioner, speaker, and proven thought leader who works at the intersection of race, identity, culture, and justice. She has contributed to numerous publications such as PS, CBS Media, Medium, YahooLifestyle, and the Los Angeles Times.